The Novo Nordisk Foundation today awards two PhD scholarships of DKK 1.5 million over 3 years and two postdoctoral scholarships of DKK 1 million over 2 years. The scholarships are named the Mads Øvlisen PhD Scholarships and Mads Øvlisen Postdoc Fellowships. The scholarships are being awarded to support research in art history, practice-based art and art & bioscience. The grants are awarded based on applications in open competition.
This is the second time the Foundation is awarding scholarships at the postdoctoral level for art research, while the Foundation has supported this field at the PhD level since 2006.
Peter Nørgaard Larsen, Chairman of the Committee on Art History Research, says:
– The purpose of the scholarships is to enable talented young researchers to carry out extensive research projects that can both help them on the road to a research career within the field and contribute significantly to art history and art research in Denmark. The aim is to boost Danish art research and strengthen its reputation both nationally and internationally.
The five researchers will receive their scholarships at a reception at the offices of the Novo Nordisk Foundation today from 15:00 to 17:30. Attendees can meet the researchers, who will briefly introduce their research. Members of the media are welcome to the event. More information about the grant recipients and their research projects is presented below.
In addition to the five scholarships, the Novo Nordisk Foundation also has awarded a total of DKK 1 million in project grants for research in the arts. The amount is shared between six recipients. See the names of recipients and their projects on the Foundation’s website: www.novonordiskfonden.dk.
THE FIVE RECIPIENTS AND THEIR RESEARCH PROJECTS:
MADS ØVLISEN PHD SCHOLARSHIPS (2)
EMILIE BIERLICH DURHOLM,
MA IN ART HISTORY
Age: 35 years
Grant: Mads Øvlisen PhD scholarship in Art History, DKK 1.5 mill. over three years
Project title: Modern women. Migration as a formative context of Danish female artists c. 1860-1910
Project description: (In Danish) Manglende adgang til etablerede kunstinstitutioner var et fælles vilkår for de fleste kvinder med ambitioner om en kunstnerisk karriere frem til slutningen af det 19. århundrede. Kravet på uddannelse medførte en regulær migration af kvindelige kunstnere over det meste af Europa, da kvinderne som oftest var tvunget til at opsøge et erfaringsgrundlag uden for deres nationale rammer. Projektets hovedtese er, at de transnationale relationer og kulturmøder, der opstod som følge af dette vilkår, er helt centrale komponenter for forståelsen af de kvindelige kunstneres produktion. Motivationen for projektet vil være at undersøge, hvorvidt denne produktion kan analyseres ud over en national, historisk og geografisk afgrænset kontekst og i stedet læses ind i en mere international, opdateret videnstradition. Projektet har sit primære fokus på den første generation af det moderne gennembruds kvindelige danske kunstnere, der i modsætning til de følgende generationer endnu ikke havde nationale, statsstøttede uddannelsesmuligheder.
Institution: University of Copenhagen and The National Gallery of Denmark
JANE JIN KAISEN,
MA IN ART THEORY AND COMMUNICATION
Grant: Mads Øvlisen PhD scholarship in practice-based art, DKK 1.5 mill. over three years
Project title: Translational Aesthetics: artistic research and aesthetics of resistance in response to the global turn in contemporary art (working title).
Project description: In the context of globalization and the global turn in contemporary art I will, by taking outset in my artistic practice, develop a notion of Translational Aesthetics as an artistic research method and aesthetics of resistance. I am invested in transnational political histories that are actively disputed in the present moment and view my artworks as critical translations, which, through an intersectional reading of race, gender, class and sexuality, destabilize and queer dominant discourses and suggest alternative genealogies and political formations. Through practice-based research I will explore how translation as a disruptive artistic strategy and multi-layered aesthetic mode may function as a prism for critical and self-reflexive dialogue.
Institution: University of Copenhagen and The Royal Danish Academy of Fine Arts.
MADS ØVLISEN POSTDOCTORAL FELLOWSHIPS (3)
Grant: Mads Øvlisen Postdoctoral fellowship in Art History, DKK 1.2 mill. over two years
Project title: Art History in its Image War
Project description: With several art historians or cultural critics describing conditions of global crisis and image war, this research project will look into how art history can intervene at the level of writing. In particular with a more ‘experimentally’ written art history which responds to the aesthetic breakthroughs in the arts, literature and critical theory of the last century. Language has been seen as an increasingly integrated part of global capitalism and I’ll be arguing for the relevance of art historical writing in coming to terms with this.
Institution: University of Copenhagen
PHD AND KURATOR
Grant: Mads Øvlisen Postdoctoral fellowship in practice-based art, DKK 1.2 mill. over two years
Project title: The Art History of Disasters
Project description: Based on an exhibition space that has recently received a 2-year grant from the Danish Arts Council and an association with the research project Changing Disasters at Copenhagen Centre for Disaster Research at the University of Copenhagen the postdoctoral project ”The Art History of Disasters” will consist of a series of 18 exhibitions that focuses on art’s treatment of disasters – real as well as fictive – both historically and in relation to the present. The exhibitions will feature Danish and international art of the highest quality. The ambition of the postdoctoral project, the curatorial practice and individual exhibitions, is to engage in a relation of exchange with the research at Changing Disasters and to expand and contribute to the broad interdisciplinary approach.
Institution: University of Copenhagen
Grant: Mads Øvlisen Postdoctoral fellowship in art & bio- and natural science, DKK 1.2. mill. over two years.
Project title: Artistic Interventions in Biotechnology
Project description: In the past 15 years, an increasing number of artists have begun to use various technologies from the natural sciences in their artworks. Among these a number of artists create living works with cell and tissue culture methods. The artist group TC&A have created a small living jacket, and SymbioticA Research Group have connected brain cells in a Petri dish with a robotic arm that makes a drawing. It is the thesis of this project that the recent technological development in the life sciences affects the way we consider the body and questions of identity and subjectivity, and that the artists with their works explore the philosophical, ethical and biopolitical implications of this technological development.
Institution: University of Aarhus